I was PMing with
Erik Thurman, my agent-mate, about art and I mentioned that my favorite subject was portraiture. I told him I'd share some of my previous work, and here they are.
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rough charcoal sketch |
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pastel piece of hubby's grandmother as a young lady |
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charcoal of myself in my 30s |
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watercolor of my friend's two daughters |
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conte crayon exercise to capture the planes of a face (she sat across from me in the class) |
And then there are rough sketches of portraits I never completed...
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a friend and her husband on their wedding day (from 15 years ago) |
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my MIL and her second grandson; I started this when she was still alive and probably will never finish it |
So how does one get good at portraiture? Studying the skull is one of the ways to improve.
Sometimes, it helps to get a feel for the 3D-ness of the head by trying to sculpt it.
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my first roma plastilina bust in a class taught by J.P. Darriau |
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side view of above bust (just wanted to add that the model was very good looking and actually had hair, which we weren't supposed to convey) |
I love doing portraits, but I do think that it's one of the hardest things to get right because it's difficult to render a likeness of the individual. You can draw an apple to make it look like an apple though it doesn't have to look like a specific apple, but if you're doing someone's portrait, you can't just draw a face to look like any old face; it has to look like that person who commissioned you.
Don't let that deter you though. The best way to get good at it is to practice...a lot! :)
"I may not have gone where I intended to go, but I think I have ended up where I needed to be." ~ Douglas Adams